RAY GUNS! Sky High! Charlie and the Chocolate Factory! Bonfires!

It's been too long but I'M BACK with a SUPER-SIZED entry full of rantings and ravings that may cause temporary insanity, spontaneous cranial combustion, and/or tooth decay.

If my title to this post seems weird, sorry, but that's just the kind of mood I'm in ...

Yep, I'm back, and it's been a very busy week or so since my last post, but man I got some stuff to talk about. Let's get right down to it - to a pair of movies I saw over the last few days that I am dying to talk about. First off, just got back from SKY HIGH, which I absolutely LOVED. Now first thing's first - a big "screw you" to everyone who dissed this film in conversation (and i mean that i nthe nicest possible way ... ahem ...) because this movie rocked, and sure many of the previews were weak, but if you could watch this and not have a smile on your face for much of the film then it's time for you to hit the ginseng and make your bed in the old folks' home because sorry to break it to you - your inner child is dead. So on with it:

SKY HIGH REVIEW:

Now I admit, Sky High looked pretty sketch from the early commercials and previews ... but I realized something fro mreading Harry Knowles Ain't It Cool review a week or so back - this film had potential to be awesome. I mean look at the cast of adults. You've got SNAKE PLISKEN and ASH together! You've got WONDER WOMAN! You've got two of the KIDS IN THE HALL! Now that - THAT is how you cast a FUN superhero movie. But anyways, Harry's review conveyed something that came through even amidst his usual over-enthusiastic ravings. Something shone through that any geek could read and spot - a true, true passion for this movie. So I was psyched to see it, and yet had something gnawing at me telling me that the doubters were correct - the movie would be cheesy, derivative crap. But that was far from the case. I loved the movie, and not only that I think it will become a kids' classic. Because as much as I could enjoy and appreciate this movie now, if I saw this at age 10 or 12, whoah boy, this would have been IT. Why? Let me try to explain:

- The movie is really a perfect blend of John Hughes-esque high school comedy with all things superhero. In fact it's exactly what you'd expect that kind of mash-up to be. But it's done so well - every beat is hit to such perfection, that even the predictable twists and turns of the plot are great, because so much thought and care and imagination is put into each CHARACTER that you are dying for the boy to get the girl, for the underdog to have his moment in the sun, for the bad guys to get their due. Now in this age of endless formulaic movies and remakes and rehashed ideas, it might seem like this is just another one of those. But as far as I'm concerned the story of the high school underdog is one that can and needs to be eternally retold, and as long as it's done well, then hey, go for it. There will always be a new generation of misfits, outcasts, and geeks who need this kind of movie - happy ending and all. And let's give some credit - this is a DISNEY movie through and through. And I don't mean crappy nu-Disney. I mean the Disney that made Mary Poppins and Flight of the Navigator - the one you could count on for wonder, imagination, and yes, a happy ending that makes you smile. Now in terms of high school movies / TV shows I am very picky. I usually hate cliched high school settings when no thought or character is put into the script. But even though this is a cartoony, kid-appropriate world, there are little bits and pieces that have those pangs of realism and angst you usually only see in the best high school pieces - Freaks and Geeks, My So Called Life, The Breakfast Club, Sixteen Candles, etc. And even though the high school melodrama character moments are there ...

- This movie is filled with fun and imagination. None of this "realistic" superhero stuff here. No leather costumes, no psychological profiling. Sky High worships at the altar of 1950's scifi, of comic books, REAL comic books (not "graphic novels") from the Golden Age, the Silver Age, and the present. From Hannah-Barbara animation, from Jack Kirby, from Stan Lee, from Julie Schwartz. This movie is just plain FUN AS HELL. Crazy costumes, cool superpowers, villains that look like they are from new acid-tripped version of Mighty Morphin' Power Rangers. I love it. And there is ACTION. DIRECTOR OF FANTASTIC FOUR TAKE NOTE: This isn't "ooh look at me use my powers for five seconds as I stand here and pose and say some lame one-liner." This is kinetic, fun, well-edited yet easy to follow action that makes for some truly cool set pieces. Sure, the f/x are cartoony and not exactly Lucas or WETA quality CGI, but that's the whole fun. So much crazy stuff is going on that it works awesomely, especially since ...

- The cast rocks! Kurt Russell is classic Kurt Russell here. He says his every line as Commander Stronghold with such a sense of fun that he puts a smile on your face whenever he appears. This is classic pulp hero Escape From NY and Big Trouble in Little China wink-wink nudge nudge but I still can kick some ass acting here - it doesn't get any better. Bruce Campell is Bruce Campell - B movie icon and classic character actor, The Chin delivers the goods as a demoralizing gym teacher in a standout role. Hail to the King, baby. And then comedy lovers everywhere rejoice - Kids in the Hall reunion! Dave Foley is pitch perfect as a former sidekick turned teacher (Mr. Boy - hilarious!) and Kevin McDonald often steals the whole show as a super-braniac who is embittered for never getting his rightful due thanks to his brains over brawn powers. Lynda Carter is wondrous as the school's principal. Even minor characters like Ron Wilson: Bus Driver get there little moments to shine and so much attention is paid to those character moments that nothing ever feels left out or inconsistent ... and then there's the kids. In short, they are great. Sure they are playing variations on familiar high school stereotypes, but they do a damn good job of making you love / hate them to the point where you'll probably have a favorite by the end of the movie. As good as the casts of kids were in Bad News Bears and Charlie and the Chocolate Factory, this one was better and more memorable.

So yeah, this is a great movie - for kids, for kids at heart, and for those looking for an underhyped summer adventure that won't make you question humanity. Honestly, in many ways I enjoyed this more than The Incredibles, which was an animated wonder, but plot-wise was more derivative than inventive in some respects. This movie was laugh out loud funny in many spots, had a lot of good action scenes, endearing characters, and oh yeah I must mention the kickass 1980's soundtrack, which completely rocked. Clearly, the basic premise or plot stucture is nothing new. But everything is done right, which is rare for this genre. Sometimes a crappy movie comes out and people defend it by saying "oh don't bash it it's a fun movie." Well this movie may be formulaic, but who cares - it's hella fun, but also smart, imaginative, energetic, and entertaining to boot - with a wonderful cast and sharp writing and direction. So bring the whole family. Who wouldda thunk it? SKY HIGH is one of the summer's best movies. My grade: A -

Well after that it's time for ...

CHARLIE AND THE CHOCOLATE FACTORY REVIEW:

- Another thing that gets on my nerves: people whining and complaining about remakes of movies in cases where the original movie was NOT EVEN AN ORIGINAL CONCEPT. Sure, remakes in general are getting to be a problem, and originality in general is getting increasingly harder to come by. But come on, Batman Begins is NOT a remake of Batman - the character existed LONG BEFORE Michale Keaton donned the cape and cowl. War of the Worlds is NOT a remake of the earlier movie - HG Wells wrote the book first. And CHARLIE AND THE CHOCOLATE FACTORY is NOT, I repeat NOT a remake of the Gene Wilder version. Why? BECAUSE DECADES EARLIER ROHL DAHL WROTE THE BOOK! Now Dahl was a genious, one of the greatest, most imaginative writers ever, and deserves credit for coming up with the idea in the first place. So if anything, we should be questioning the Gene Wilder version for straying from the original novel, not faulting the Tim Burton movie for straying from the earlier film. Now it so happens that I really like the Wilder version. I love Wilder as an actor, for one thing, and he is classic in that movie. The movie is a psychedellic, trippy, creepy, creative cult classic that many kids fondly remember from their youth. But is it a great movie? Gotta say no. Close, but no. It has great performances, great moments, but as a whole it is more of a novelty than something truly great. Now is the new version great? Hard to say so early in, but overall, it is a BETTER MOVIE than the first, and is more in keeping with the scope, breadth, and spirit of Dahl, which is to its credit. Now I didn't expect to really love this movie, but I came away from it very, very, impressed.

Burton was on his game here. This movie had his trippy visuals, his eccentric style in spades. But it had the cohesion and internal logic of his best movies like Edward Scissorhands, Nightmare Before Christmas, and Big Fish - and none of the messy, painful flaws of duds like Planet of the Apes. Sure, Burton was handicapped here - some of the scenes and characters can only be changed so much, and bare a striking similarity to the Wilder movie. But Burton infuses this movie with so much that is new and different - a subversive, mad-genious mentality pervades it - and it turns out to be plenty original and interesting. I won't dwell on the details, but basically in this movie it is, in fact, all in the details. Wonka's glances and expressions, the set design, the seamless, spell-binding f/x, the costumes, the inflection that the characters speak in. The movie has a timeless feel. You lose a sense of geography and history - you only know that Charlie, and Wonka and Veruca Salt and the rest are these classic storybook concoctions that work in any era. The movie works in plenty of humor. The child actors are great (Augustus Gloop is hilarious, Charlie is spot-on). The music and songs by Danny Elfman are just great, and the upadated take on the Oompa-Loompa /s is pretty funny and highly entertaining. Most of all this feels, unlike the earlier film, like a complete movie. The main characters grow and change. The storyarcs evolve and progress and end with satisfying conclusions. This is Tim Burton at his best - as a storyteller. He's telling you a familiar story but adding new bits and pieces. He's drawing out a world and vision uniquely his own even if the story itself is old hat. But Burton, Depp, and the rest are the ones you want telling you the story, because they are the ones with the vision to bring that antastical world to life and reimagine it one more time. My grade: A

So ...

Two great movies. All those reviews, though, leave me little time to write anything else. So. What else?

THE WEEKEND:

Pretty eventful ... NBC Pages old and new came out to celebrate the weekend at some Italian restaurant on Friday - it was a big-ass family style dinner at Bucca Di Beppo (or whatever it's called, and no they don't have super-monkeys there ... get it, Beppo the Super-Monkey? No I thought not ...). Saturday I had to freakin' work almost all day at the ol' ticketbox. Sunday caught up on sleep and then headed out to Dockweiller Beach by LAX airport for some CA-style beach bonfire fun. Well the fire did a-burn and a good time was had by all. Sitting around those flames rook me back to the good old days at Camp Shalom sitting around the campfire and singing The Circle Game or other such songs and telling classic camp stories like my famous rendition of "It's A-Comin'." If only one of the pages could play guitar ... oh man it takes me back ... let's see what were some of the classic camp songs? "Me and Julio" by Paul Simon, "The Circle Game", "Puff The Magic Dragon," "One Tine Soldier," "Closer to Fine," "If I Had A Hammer ..." Hahaha talk about cheesy ...

Let's see .. TONIGHT SHOW ....

Some highlights of late: Thomas Hayden Church was on a few days ago and was HILARIOUS in my opinion, one of the best guests in a while on the show. And I'm a long time fan of his dating back to his underrated sitcom NED AND STACY which was GREAT back in the day. His segment about imaginary superviallains that he WON'T be playing in Spiderman 3 was classic. Who else have I seen? Al Gore was on yesterday and was pretty funny. Man shoulda been president. At least he has the good sense to get out of the political spotlight unlike John Kerry, who has no clue when to step down and to STOP UTILIZING HIS PRESIDENTIAL CAMPAIGN EMAIL LIST EVERY OTHER FREAKIN' DAY! Oh man, I won't get all political on ya right now, I promise. I'll save that for later. Today saw and outdoor performance by the favorite artist of Contemporary Adult Music Listeners everywhere, Faith Hill. Well, her first song, about Mississippi Girls, was, I admit, kinda catchy (could have benefitted from an injection of COWBOY TROY though ...). But, um, yeah, Faith Hill must still be judged and found to be ... pretty lame. Next week business picks up as Tommy Lee skips class and performs for us (sans Motley Crue, damn it!) and Avril "I'm not Jewish / LEVINE" pops in for some s8RBoY-riffic fun.

Oh yeah, yesterday ROYALTY graced Leno with it's presence. A prince from Florence, Italy's DeMedici line was in attendance at the show, actually put on the guest list by one of us pages (these pages are surprisingly well connected - first Ben Savage and now this?)! Craziness! And he DANCED before the show. See, even princes can get down with their bad selves.

On that note, that's all for today. Sure there's more to say but time is short and you've go to get back to work ... or something. Peace in da middle east.