Showing posts with label Seth Rogen. Show all posts
Showing posts with label Seth Rogen. Show all posts
Friday, June 14, 2013
THIS IS THE END Is An Epic Comedy Classic
THIS IS THE END Review:
- It's rare that a movie is this funny. I mean, honestly ... I can't even remember the last time I saw a new film that was anywhere even in the vicinity of THIS IS THE END. It's hard to write reviews of comedy, but I will just say this: this one feels like writers/directors Seth Rogen and Evan Goldberg got away with something. Somehow, some way, they convinced Sony to give them millions of dollars to make a completely over-the-top, incredibly vulgar, balls-to-the-wall comedy about Rogen and a bunch of other actors - playing themselves - facing the full-on apocalypse. And what I've found is that the best comedies usually come about in this way ... when the movie gets made despite all common sense saying that it probably shouldn't exist. Thankfully, someone chucked common sense out the window and said "have at it." Because ... my god ... this is an instant comedy classic that will be quoted and re-watched from now until the end of days.
THIS IS THE END actually has some great character dynamics, even though all of the actors are playing heightened versions of themselves. The main arc of the movie revolves around the precarious friendship between Seth Rogen and Jay Baruchel. While Seth has settled down in Los Angeles and mostly embraced the Hollywood lifestyle, Jay has stayed away from LA, and avoided the parties and the celebrities and the fakeness. So when Jay goes to visit his old friend in LA, he hopes to spend his time with Seth playing videogames and getting high. Seth, however, wants his old friend to get along with his new friends, so he drags a reluctant Jay to a party at James Franco's new house. There, Jay doesn't exactly ingratiate himself, and looks to make a quick exit. But when he and Seth head out for a snack run, all hell breaks loose. Literally. Some kind of crazy, apocalyptic disaster breaks out (we eventually learn its exact nature, but I won't spoil it here), as giant holes open up in the earth, and, well, basically, some really crazy $#%& goes down. Seth and Jay hightail it back to Franco's house, where we're treated to an epic slaughter of the various celebrities at the party. Eventually, the surviving group consists of Rogen, Baruchel, Franco, Jonah Hill, Craig Robinson, and Danny McBride (with one or two additional surprises thrown into the mix). And from there ... hilarity ensues.
The main joke of the movie is watching these laid-back actor types try to deal with the apocalypse. And so it never comes off as smug or annoying that everyone is playing themselves, because hey, the joke is squarely on them. Each actor is playing a heightened version of themselves, a version that hilariously and smartly plays off of or subverts their real-life reputations. Rogen is the good-natured if mostly-useless stoner, Baruchel the uptight hipster, Franco the self-important artist, Hill the passive-aggressive poseur, Robinson the child-like goofball, and McBride, well, he's basically an only slightly toned-down version of Kenny Powers - a hilariously unpredictable loose cannon. Other actors who pop in for cameos do even crazier and more subversive versions of themselves. Michael Cera is awesome as sort of the anti-Michael Cera. Known as a nice guy, Cera plays Michael Cera as a coke-snorting, womanizing asshole - universally hated by all. It's funny as hell. Also great is Emma Watson, who shows up all of the guys by being, by far, the biggest badass of the bunch. There are all sorts of other great little cameos - from Kevin Hart, to Aziz Ansari, to Rihanna, to Jason Segel. And some others I won't reveal, because part of the hilarity is the surprise-factor.
The interesting thing here is that, man, the movie actually delivers on its apocalyptic premise, and delivers some huge, epic set pieces. There is some crazy-ass CGI stuff in the movie that I wasn't expecting - and Rogen and Goldberg give the movie an added sense of scale thanks to some surprisingly exciting and well-done action scenes. Sure, all of the action has a comedic bent - but man, there is some well-choreographed scenes and some insane-looking, hellspawned creatures. Suffice it to say, many full-on action movies wish they had set piece sequences and monsters as good as those in THIS IS THE END.
But, let's get down to it ... what makes THIS IS THE END so damn amazing is that it has a dream team of funny actors performing from what has to be one of the end-to-end funniest scripts ever in a big screen comedy. Almost every dialogue exchange in the movie has some great little moment in it - there's barely a minute that goes by without solid laughs. And when the movie hits its comedic high-points, it's quite simply off-the-chain, drop-dead funny, delivering some of the biggest belly-laughs of any film I've seen. Rogen and Goldberg proved with Superbad that they know how to write great back-and-forth banter, but they take it to another level here.
And every one of the main actors has multiple "home-run" moments of hilarity. Whether its Craig Robinson revealing his sordid past, Jonah Hill getting possessed by a demon (Exorcist-style), Seth Rogen recounting childhood traumas, Jay Baruchel hating on Forrest Gump, or James Franco showing off his incredibly self-indulgent art collection ... there really is no weak link. But personally, the man who brought it all to another plane of crazy-ass-awesome for me was Danny McBride. I've been a huge fan since The Foot Fist Way. I'll defend Your Highness to I'm blue in the face. And I maintain that Eastbound & Down is one of the funniest things ever on TV. But for those who still doubt the greatness of McBride, I have to imagine that they'll be converted to the cult after seeing THIS IS THE END. McBride is a freaking force of comedy nature in this one, stealing scenes with his volatile temper, total contempt for his friends, and mastery of blunt-force, hilariously vulgar insults. McBride is one of those guys who can make just about anything funny with his unique delivery, but when he's paired with material this funny and other actors this good, he's just plain legendary, Kenny Powers-style.
And hey, through all the vulgarity, rapid-fire humor, and invading demons from hell, the movie actually finds time for some genuine heart. Somehow, in spite of everything else, Goldberg and Rogen make this a movie about more than just whacked-out comedy, but also about friendship, growing up, and about being a good person. Who would have guessed?
But above all else, THIS IS THE END is just a blissfully hilarious movie that doesn't let up on laughs for its duration. It's quite simply awesome - a kick-ass end-of-world comedy that is one of the must-see movies of the summer.
My Grade: A
Monday, December 24, 2012
THE GUILT TRIP Is Good-Natured Schmaltz
THE GUILT TRIP Review:
- The Guilt Trip is pretty much what it seems - a fun, semi-schmaltzy, relatively inoffensive road-trip movie that pairs Seth Rogen, as the schlubby son, with Barbara Streisand as his naggy, overbearing Jewish mother. The movie is well-crafted, funny, and entertaining - though it's so mild that it also never really goes from chuckle-worthy to hilarious. This is a movie that Jewish mothers everywhere will probably love, and their Jewish sons (like me) will enjoy, but that will cause them to wonder when Seth Rogen's next edgier, more vulgar film (i.e. - one their mothers would hate), will arrive in theaters.
Of course, The Guilt Trip has to ride a fine line - because look, I can handle zombies, vampires, serial killers, and psychos - but seeing a Jewish mother on the big-screen, depicted in all her guilt-giving, overprotective, gleaned-from-Good Housekeeping-and-Oprah advice dispensing, confidence-depleting glory - well, that for me was *truly* scary. I mean, there's a moment in THE GUILT TRIP where Seth Rogen, pushed to the limit by his never-silent, always-nagging mother finally snaps, and just yells at her to shut up. Some audience members gasped, but I could only nod my head in painful recognition. This. right here, was Exhibit A for why generations of young Jewish boys have moved to LA and become neurotic writers.
Luckily, The Guilt Trip eases the pain by gradually softening Streisand's character and putting her through her paces. The story involves Rogen as Andy, a 30-ish single guy who lives in California, and has put his time and money into developing and trying to sell an organic cleaning fluid. Andy's future rests on what happens during an upcoming cross-country road-trip, where he's booked himself meetings with big chain stores like Walmart and CostCo to see if they'll agree to carry his product. Before he starts the trip, Andy stops back east to visit with his widowed mom, Joyce (Streisand). Andy is fed up with his mom within hours of being home, but then, a story she tells him gives him pause. Joyce confides in her son that, before meeting his father, she had a first love who she'd since lost track of, but still thought of fondly. Andy tracks down the guy, and finds out that he lives in Sacramento. Thinking that finding this long-lost love might be the key to finding happiness for his long-suffering mother, Andy - against his better judgement - invites his mom to come along on his road-trip, holding off on revealing his ulterior motive. And so the two set off cross-country, and booth soon find themselves well out of their comfort zones.
To screenwriter Dan Fogelman's (Crazy Stupid Love) credit, he seems to hit at all the right pain points that make any Jewish boy (or anyone with overbearing parents) cringe in recognition. Streisand's Joyce, of course, ends up interfering and screwing up her son's big meetings, forcing him to awkwardly listen to a "Middlesex" book-on-tape during their car-ride (Rogen promptly switches it off every time genitals get mentioned), and keeps prying into her son's dating life - forcing an awkward reunion with an old girlfriend in the hopes of playing yenta. But again, Fogelman also humanizes Joyce by having her find her inner shiksa and loosen up a bit as the movie goes on. It's a lot of fun to watch as Streisand gets wasted, enters an eating contest at a down-home Texas BBQ joint, and flirts with a very goyish cowboy who seems to fancy her.
Both Rogen and Streisand are quite good here. If anything, Streisand is a little *too* on-the-nose with her portrayal of Joyce, and tends to make her a little less sympathetic and more annoying than she probably should be. I'm never a proponent for watered-down characters - but man, Barbara truly is terrifying when she's in full swing. Like, enough where Jewish dudes may be cancelling J-Date subscriptions after seeing this movie and wondering if this is what they're in for. That said, her comic timing is pretty impeccable, and she and Rogen do a great job riffing off of one another (be sure to stay for the credits, where there are some truly hilarious outtakes of the two of them improvising). And Rogen is actually really really good here - handling both the comedic and dramatic parts of the film exceptionally well. This reminded me why Rogen is so good - because he can mix very dry, acerbic humor with a real sincerity. He has some fantastic, extremely funny line deliveries in the film. And, because most of the movie is relatively PG, on the occasions that Rogen does get a bit R-rated, it's extra-shocking and funny.
The movie also features some welcome cameos to spice things up a bit. Adam Scott, Yvonne Strahovski (making me really miss CHUCK), and Colin Hanks all appear. And director Anne Fletcher gives the movie a classic, 80's-ish road-trip flick sort of feel.
In any case, this is a nice little feel-good, good-natured comedy film. Just enough bawdy humor for Rogen fans, and just enough aw-shucks sweetness to make Streisand fans swoon and possibly shed a tear or two (moms everywhere may get a little verklempt). In short, the perfect film to take the mishpacha to following Chinese food on Christmas. And yeah, you gentiles (oy) might find this a fun / funny movie as well.
My Grade: B
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